Friday, January 09, 2015
Elder of Ziyon“In the spring of 1945,” says the narrator, over bucolic springtime shots of the German countryside, “the allies advancing into the heart of Germany came to Bergen-Belsen. Neat and tidy orchards, well-stocked farms lined the wayside, and the British soldier did not fail to admire the place and its inhabitants. At least, until he began to feel a smell …”Lustig's theory, if it could be proven, would be a bombshell.
So begins a British film about the Holocaust that was abandoned and shelved for 70 years because it was deemed too politically sensitive. The smell came from the dead, their bodies burned or rotting; or from malnourished, often disease-ridden prisoners in the concentration camp of Bergen-Belsen, near all those thriving German farms.
As allied troops liberated such camps across what had been German-occupied Europe, the British Ministry of Information’s Sidney Bernstein (who later founded Granada Television) was commissioned to make a documentary that would provide incontrovertible evidence of the Nazis’ crimes.
Bernstein assembled a remarkable team, including the future Labour cabinet minister Richard Crossman, who wrote the film’s lyrical script, and Alfred Hitchcock, who flew in from Hollywood to advise Bernstein on its structure. They set to work on a documentary entitled German Concentration Camps Factual Survey. As they worked, reels of film kept arriving, sent by British, American and Soviet combat and newsreel cameramen from 11 camps, including Auschwitz, Buchenwald, Dachau and Bergen-Belsen. As well as the dead, the footage showed starved survivors and human remains in ovens.
...Now, 70 years on, director and anthropologist André Singer has made a documentary called Night Will Fall, to be screened on Channel 4 later this month, telling the extraordinary story of filming the camps and the fate of Bernstein’s project.
...Singer also interviews another illustrious Holocaust survivor, a Croatian named Branko Lustig. He was a child in Belsen, so sick at the time of liberation that when he heard a strange noise he thought he’d arrived in heaven to a chorus of angels’ trumpets. In reality, they were the bagpipes played by Scottish soldiers.
Many years later, Steven Spielberg chose Lustig, by then a film-maker, to be a producer for Schindler’s List. Lustig has a theory about why British authorities suppressed Bernstein’s film. “At this time, the Brits had enough problems with the Jews.” By that, no doubt, he means that Britain was dealing with Zionists agitating for a Jewish homeland in the British mandate of Palestine – and seeing the full extent of Jewish suffering would only inflame them.
Singer says he’s already had flak for including Lustig’s theory. “Why the film was scuppered is not very well documented,” he says. “But Branko may well have a point.” Singer points out that in 1945, the incoming Labour government’s foreign secretary, Ernest Bevin, was anti-Zionist and unsympathetic to the foundation of a Jewish state. But he concedes there is no strong proof. “The only documentary evidence we have is a memo from the Foreign Office saying that screening such an ‘atrocity film’ would not be a good idea.”
Britain suppressing a hugely important Holocaust documentary because it didn't want to help the Jews who were trying to rebuild their nation after the Holocaust? Sadly, the idea is not far-fetched.
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