Showing posts with label jJon Minadeo Jr.. Show all posts
Showing posts with label jJon Minadeo Jr.. Show all posts

Friday, November 25, 2022

From Ian:

No Good Jew Goes Unpunished
REVIEW: ‘Bad Jews: A History of American Jewish Politics and Identities’

Tamkin’s personal leanings often make her an unreliable narrator. She tries to sanitize the Second Intifada as "a Palestinian uprising that came from the failure of the peace process in the first decade of the 2000s and the violence that ensued," a sentence worthy of Orwell’s "Politics and the English Language." She describes Jewish Currents, which she admires, as "the magazine founded for the Jewish Left back in 1946," leaving out that it was Stalinist. She congratulates Rep. Ilhan Omar (D., Minn.) for apologizing for an anti-Semitic remark, without mentioning that Omar quickly walked back the apology and reiterated her conspiracy theory.

Notably bad is Tamkin’s discussion of the neoconservatives. Hostile framings and poor paraphrases of Irving Kristol arguments are one thing. Another is that she doesn’t seem to know what she’s talking about. The first words she uses to describe neocon intellectuals are "free-market capitalists"; in fact, they were notable within the conservative movement for accepting limits on the free market and making peace with the New Deal, while critiquing excesses of the Great Society on empirical grounds. Next, she writes, "Neoconservatives actually started out as leftist radicals. They were disciples of Leon Trotsky." For most neocons, this is false. Norman Podhoretz, for instance, was never a Trotskyist. Some, like Kristol, had been Trots in college, but their Marxist credentials were far inferior to, say, those of many founding editors and writers of the conservative (no "neo") National Review.

The problem can be traced to the book’s citations. Tamkin’s pattern is to rely on a single secondary source for information, citing it several times consecutively to cover a topic, before moving on to another single source, also cited several times in a row, for a new topic. In her neocons chapter, she cites Benjamin Balint’s book on Commentary 16 times in a row. I’ve read the book and it is serviceable, but it is only one view on a topic on which countless words have been written. Commentary’s archives are also available online. To rely so thoroughly on single sources is indicative of laziness, frankly, and lack of knowledge.

Tamkin claims to argue that there’s no such thing as a good Jew or bad Jew. But her heart isn’t in it. At every opportunity, she valorizes her bad Jews, the ones who vilify Israel and the American Jewish community. They’re the heroes. Eli Valley, the Jewish cartoonist known for drawing Israelis and pro-Israel Americans as Nazis, she fawns over. Her comment that "multiple people, on learning that I was writing this book, told me that I had to speak to Valley. His work meant so much to them, they told me. It had helped them figure out their own relationship to Jewishness" is perhaps more revealing than she intended.

The flip side is that Tamkin clearly thinks her good Jews are bad. The major Jewish organizations are portrayed throughout as morally indefensible; even Jewish leadership in the civil-rights movement is unconvincingly labeled a "myth." Anticommunists and Israel supporters are cast as fear- and guilt-ridden tyrants, synogogue-goers as conformist and xenophobic. In her most disgusting passage, Tamkin blames the deadly 2018 shooting at Pittsburgh’s Tree of Life synagogue on Donald Trump and then immediately uses the tragedy to dump on Orthodox Jews—themselves the victims of most anti-Semitic violence—for several paragraphs.

At the end, Tamkin has one last somersault to perform: excusing left-wing anti-Semitism. "When I hear that the fixation should be on antisemitism on the left," she writes, "I recall that there was a reason that American Jewish professionals in the 1960s decided not to focus on the antisemitism within the Nation of Islam," namely, that it could detract from the broader progressive struggle. She then has a quote that the response to left-wing anti-Semitism should be "to show up more" to left-wing causes. Sen. Bernie Sanders (I., Vt.), it is made clear, is the ideal type. At last, and in so many words, we have Tamkin’s elusive definition of a good Jew: a leftist.

Bad Jews: A History of American Jewish Politics and Identities by Emily Tamkin
Whoopi Goldberg, Here’s Why Hamas Is Recognized as a Terror Organization
Whoopi Goldberg, the famed American actress and co-host of the ABC daily talk show The View, has come under fire for seemingly questioning whether Hamas is a terror organization.

During a discussion on The View about Minnesota congresswoman Ilhan Omar’s past statements on foreign affairs, co-host Sara Haines brought up Omar’s June 2021 comment that equated the United States and Israel with the Taliban and Hamas.

Remember when Whoopi Goldberg claimed the Holocaust wasn’t racism, it was white people fighting white people?

Well, she’s at it again… While Haines was expressing her indignation at Omar’s comment, she referred to Hamas and the Taliban as “organized terrorist communities,” to which Goldberg responded, “Depends on who you talk to.”

So, to help Whoopi Goldberg and her viewers understand who considers Hamas to be a terrorist organization and why they do so, the following is a brief guide to everything you need to know about the organization.

Hamas, also known as the Islamic Resistance Movement, is currently recognized as a terrorist organization by the United States, the European Union, Canada, the Organization of American States, the United Kingdom, and Australia. In addition, New Zealand and Paraguay have designated the military wing of Hamas as a terror organization.

The reason that so many states and supranational bodies designate Hamas as a terror organization is that, since its founding in 1987, Hamas has been responsible for some of the most heinous attacks on civilians in Israeli history.


Children chant massacre-Jews song at North London school
An Iranian propaganda video in which dozens of children sing a song that references an apocalyptic myth about massacring Jews was filmed at a school just 15 minutes’ walk from the New London synagogue in St John’s Wood, a JC investigation has revealed.

In the video, shot earlier this year in the playground of the Islamic Republic of Iran School (IRIS) near Queen’s Park station, the children sing about joining 313 mythical warriors in a conflict against the infidels, when (according to the present Iranian regime) Israel will be obliterated and Jews killed.

Some scenes were also shot at the nearby Islamic Centre of England (ICE), which is controlled by the Iranian regime and linked to the school. ICE is currently the subject of a statutory inquiry by the Charity Commission, as the JC disclosed last week.

The song, entitled Hello Commander, has been praised by Iran’s Supreme Leader Ayatollah Ali Khamenei, who claims its popularity proves his people’s “loyalty to the system”, Iranian pro-regime media has reported.

Its recording in St John’s Wood, in easy reach of several synagogues and Jewish centres, has raised serious concerns among community security officials.

In the London video, rows of boys in white shirts and pressed black trousers and girls in blue flares, white blouses and matching hijabs can be seen saluting and singing their allegiance to their “commander”, Ayatollah Khamenei.

The children, aged between eight and 15, sing: “Without you, this life has no meaning. This life comes alive when you are here for me.”

They then sing about fighting in history’s final battle for the mythical leader known as the Mahdi, last seen supposedly almost 1,200 years ago.

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