Caroline Glick: When great institutions lie
In the wake of the firestorm the report provoked, the museum pulled the study from its website and canceled its scheduled formal presentation on September 11.Clifford D. May: Grim anniversary
But the damage that the Holocaust Memorial Museum did to its reputation by producing and publishing a transparently false, politically motivated report is not something that can be mitigated by pulling it from its website.
As some of the Jewish communal leaders who spoke to Tablet suggested, the Holocaust Memorial Museum diminished its moral authority as an institution by publishing a report clearly produced to rewrite recent history in a manner that absolved the Obama administration of all responsibility for the mass murder in Syria.
While distressing, the impact of the Holocaust Memorial Museum’s action is limited to a historical falsehood. The goal of the second study published this week by an esteemed institution is to distort and indeed block discussion about a problem that is ongoing.
This week, Stanford University’s Research Group in Education and Jewish Studies published a report which purports to show that there is no significant antisemitism on US college campuses and that Jewish students do not feel threatened by antisemitism.
The Stanford’s conclusions fly in the face of a massive body of data, collected by researchers over the past decade, which all show the opposite to be the case. If the Stanford study is believed, it will discredit the work of hundreds of professional researchers and academics, journalists and Jewish and academic leaders throughout the US.
But that’s the thing of it. The Stanford study is utter nonsense.
As the researchers, led by Associate Professor of Education of Jewish Studies Ari Kelman, made clear in their report, their study is the product of interviews with a deliberately chosen, nonrepresentative group of 66 Jewish students from five California campuses who are not involved in Jewish life.
The researchers said that they deliberately chose only Jews who aren’t involved in Jewish life on campus, since they make up the majority of Jewish students on campuses. The researchers claimed that reports on campus antisemitism are generally distorted, because they generally highlight the views of the minority of students who deeply involved in Jewish life at their universities. Their views, the researchers said, are different from the views of Jews who aren’t involved.
The approach of an anniversary of the 9/11/01 attacks always concentrates my mind. It was, astonishingly, 16 Septembers ago that a team of foreign terrorists hijacked three American passenger planes and used them as weapons of mass destruction. Can anyone forget the images of people leaping to their deaths to avoid being consumed by fire and smoke, the twin towers collapsing, the ashes rising, children struggling to come to terms with the fact that they'd never see their mothers and fathers again?Gallery Show by Hadar Goldin, IDF Soldier Kidnapped and Killed by Hamas, Opens in Brooklyn
Actually, some people can. The tiki-torch Nazis and the black-shirted anarcho-communist Antifa have moved on. What excites them and, frankly, too many others, is pitting Americans against Americans on the basis of race, ethnicity, gender -- whatever. As though we hadn't an enemy in the world.
Millions of lives were changed forever by 9/11 -- mine among them. A few days prior, I met with Jack Kemp and Jeane Kirkpatrick. Younger readers, if I have any, will not remember these extraordinary individuals and, given the sad state of our schools, may not have learned about them.
Kemp was a professional quarterback who went on to become a Reaganite congressman, a "bleeding-heart conservative," a presidential candidate in the 1988 primaries, the housing and urban development secretary, and the GOP's vice presidential candidate in 1996.
Kirkpatrick was the daughter of an Oklahoma oil wildcatter who never struck it rich. She became a distinguished political scientist, the first woman to serve as U.S. ambassador to the U.N. and the only Democrat on President Reagan's National Security Council. She was combative, authoritative, eloquent and elegant -- an exceedingly rare combination.
I'd become acquainted with them during my years as a New York Times reporter and foreign correspondent. At that moment, however, I was doing a stint at a Washington, D.C. consultancy. They told me they were concerned that, with the Cold War concluded, the United States had taken a holiday from history and a premature peace dividend. Who attacked us in Beirut in 1983, in New York City in 1993, at Khobar Towers in 1996? Who bombed two of our embassies in Africa in 1998 and the USS Cole in 2000?
One of Hadar Goldin’s paintings is a beautiful nightscape, an early gift to the new girlfriend who eventually became his fiancée. Another combines elements of Johannes Vermeer and Roy Lichtenstein; it was completed as a school project during a family sabbatical year in England. There are other paintings. And then there are the comics, many of them drawn while the young artist was serving in the Israel Defense Forces. Together, these works compose an exhibition, “Hadar Goldin: Art, Inspiration, Hope,” which opened last evening at the Kings Bay YM-YWHA in Brooklyn.
Goldin, then a 23-year-old lieutenant, was kidnapped and killed in Gaza by Hamas terrorists in August 2014, just two hours after a cease-fire was declared in Operation Protective Edge hostilities. Three years later, Hamas has not returned his body. The exhibition thus not only celebrates Hadar’s life and artistic talents; it is also intended to raise awareness of his story and to compel international action to bring him—and Oron Shaul, another soldier killed in Gaza that summer whose body Hamas has not released—home to their families in Israel.
With that goal, Goldin’s parents, Leah and Simcha Goldin, attended the Brooklyn event. They were introduced by Dani Dayan, Israel’s consul general in New York. While stressing Israel’s “supreme responsibility” to bring back its soldiers, Dayan declared that the United Nations and the United States, as brokers and guarantors of the cease-fire, “cannot evade” their own obligations to facilitate that outcome.
For much of the evening, Hadar’s parents mingled with visitors among the artworks, sharing anecdotes about individual pieces and recalling their son’s boundless creativity. “Hadar painted all his life,” his mother said; his last creation was intended to adorn his wedding invitation. Undeniably, the parents’ presence deepened the evening’s emotional impact.






















