"He's an Anti-Zionist Too!" cartoon book (December 2024) PROTOCOLS: Exposing Modern Antisemitism (February 2022) |
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"He's an Anti-Zionist Too!" cartoon book (December 2024) PROTOCOLS: Exposing Modern Antisemitism (February 2022) |
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"He's an Anti-Zionist Too!" cartoon book (December 2024) PROTOCOLS: Exposing Modern Antisemitism (February 2022) |
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An "Emirati village" in Gaza |
"He's an Anti-Zionist Too!" cartoon book (December 2024) PROTOCOLS: Exposing Modern Antisemitism (February 2022) |
![]() |
"He's an Anti-Zionist Too!" cartoon book (December 2024) PROTOCOLS: Exposing Modern Antisemitism (February 2022) |
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The reality of Masafer Yatta, however, is radically different. The area was never under Palestinian Arab control. The only people with any legal or historical claim to it are the Jews.Seth Mandel: A BBC Scandal Exposes the Sham Industry of Anti-Zionist Documentaries
In the 1920s, the Jews alone were promised a homeland by the League of Nations throughout what is now Israel, the disputed territories and the Gaza Strip—a binding treaty obligation that has never been abrogated.
In 1999, Arabs illegally erected homes in Masafer Yatta but failed to obtain building permits from Israel’s civil administration. This violated the Israel and Arab agreed-upon Oslo Accords that gave Israel full control over this area.
In 2022, Israel’s High Court ruled that these homes must be demolished. As a result, the residents moved into nearby alternative dwellings. Many of these condemned structures, however, remained in place in order to provide the illusion of a permanent Arab presence.
None of these facts, of course, was mentioned in the film because they would instantly destroy the lie of helpless Arabs victimized by cruel Israeli oppression.
Masafer Yatta has produced numerous terrorists who have murdered Israeli civilians. Moreover, with the connivance or backing of NGOs such as B’Tselem and Amnesty, its activists harass Jews living in the area by trespassing, damaging property and provoking fights that they film and post online with titles like “settler violence” and “Jewish supremacy.”
In 2021, during a violent incident in Masafer Yatta, an Israeli Defense Forces officer filmed a young Arab setting fire to Arab structures and shouting: “The Jews did it.”
The Jewish Voice reported that this young Arab was none other than the future Oscar-winner Basel Adra, whom it described as a B’Tselem activist and “a known provocateur in the Hebron mountains.” In a succession of contradictory claims, Adra later denied that he had committed arson.
The mythology that has developed around Masafa Yatta is one of many lies that have shaped support for the Palestinian cause throughout the West, investing it with the status of a heroic fight for justice. Obscenely, this big lie has come to define the claim by Western “progressives” to moral and centrist attitudes.
The BBC thus had not only produced a Hamas propaganda film but sanitized the murderous Jew-hatred expressed by Palestinians throughout.Seth Mandel: Gal Gadot and the Controversial Jewish Practice of Merely Existing
And that is why Shah, the BBC chair, was in front of a government panel expressing his deep regret on Tuesday. The government is letting the BBC take the lead on the investigation, but it is making clear that this is a uniquely shameful tale of BBC infamy.
The earlier Channel 4 program won news awards, including an international Emmy. It turned out that Channel 4 has known the family’s identity since last summer, further casting doubt on the BBC’s already-farfetched attempts to play dumb or claim to have been manipulated.
There are two important lessons here. First, as has become fairly clear by now, a great deal of the “journalism” on the war is being done by members of terrorist organizations fighting in that war. The BBC’s documentary was, perhaps, the worst such example. But it was an example nonetheless. Mainstream international media have corrupted their tradecraft in their desire to enable Hamas’s genocidal cause against Israel.
Second, the fact that this keeps happening is a reminder that in order to paint Israel as a convincing villain, news must be fabricated. Documentaries are perfect vehicles for such audience manipulation, of course. This is was part of the reason the Oscars award to No Other Land on Sunday night was so divisive: As Jonathan Sacerdoti and others have meticulously pointed out, the film’s narrative bears almost no relation to the reality of its subject. It’s agitprop produced to legitimize baldly illegal Palestinian land grabs.
One should consider the following: If Israel were truly the evil oppressor its critics make it out to be, why would all this documentary evidence have to be manufactured and distorted?
One doesn’t have to be a Hollywood insider to understand immediately that this theory is insane. Zegler is vocally anti-Israel in the current conflict and has courted controversy by taking her lemming-like social-media activity to great lengths: After the trailer for her own upcoming movie received spiteful backlash online because of Gadot’s participation in the film, Zegler signaled her agreement with the trolls. All of which is to say: Had Zegler been scheduled to present an award to an anti-Israel film, she would have crawled over hot coals to do so, not traded categories quietly for the sake of avoiding some imagined discomfort on Gadot’s part.
Now, it happens to be the case that Gadot is a class act, in stark contrast to many of her peers, and she would’ve presented whatever award the Academy asked her to. So whoever invented this rumor had an axe to grind. And who was that, anyway? According to Newsweek, the source of the rumor was Jen Perelman, a progressive congressional candidate in previous cycles whose entire political persona has been constructed out of obsessive anti-Zionist rage.
So, yes, Gadot is completely correct to have said last night that just being an Israeli Jew is considered controversial. Apparently there were a number of social-media users who, prior to the Oscars, expressed their wish that Gadot would have to present the award to the Palestinian director. Why? Because she is a Jewish Israeli, and they think it would have made her uncomfortable.
But that’s quite the admission in itself: People want Gal Gadot to be made to feel uncomfortable in public. It gives them great pleasure to imagine it. Why? Because she is a Jewish Israeli. That’s it—a number of Oscars viewers simply wanted to see someone make a Jew feel bad. When that didn’t happen, these folks imagined that the reason it didn’t happen was due to a Jewish conspiracy.
Gadot is handling all this with aplomb, but it is an ominous sign for society that it’s happening at all.
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