Egyptians blame Israel for film produced by Sweden, France and Finland.

Cairo Conspiracy, also known as Boy from Heaven, is a film synopsized as "Adam, the son of a fisherman, is offered the privilege to study at the Al-Azhar University in Cairo, the center of power of Sunni Islam. Adam becomes a pawn in the conflict between Egypt's religious and political elites."

It was released a year ago. It has received a number of awards and positive reviews.

It was finally released in Israel last week.

Suddenly, Egyptian officials are denouncing the film - and blaming Israel for it.

Islamic writer and researcher, and former Egyptian Undersecretary of the Ministry of Religious Endowments, Saad El-Fiqi, said that showing the movie "A Boy from Heaven" in Israel to tarnish the image of Al-Azhar Al-Sharif failed miserably.

He continued in statements to RT: “The Zionist is known for lying, fraud and promoting everything that is false, and Israel is a bastard state that has no origin and its history is known and established for all wise people in the world,” stressing that one day it will be destroyed as its legend ended in the war of the tenth of Ramadan and the sixth of October.

Al-Fiqi stressed the need to  refute what is published in the Zionist media, especially with regard to Al-Azhar Al-Sharif, which is known for always standing with the cause of Palestine and the Al-Aqsa Mosque, as well as its clear positions against Zionist arrogance and exposing its lies, as well as exposing the faults of those who support the bastard state.

The Egyptian Islamic writer and researcher said that the honorable Al-Azhar, whether Israel likes it or not, remains a dagger in its back, revealing its faults, showing their mistakes and lies, and that it is a state that will inevitably disappear.

If you need evidence that hate for Israel is unhinged, this is plenty.

The director of the film is Swedish-Egyptian. It was co-produced by  Sweden, France and Finland.. It was mostly filmed in Turkey.

So, naturally, it must all be Israel's fault.

Apparently, an Israel Hayom article about the movie mentioned that some of the actors were Israeli. Last year, they were proudly described in Arabic media as being "of Palestinian origin."  That seems to what started this whole thing. 

Yet the film was even reviewed positively by Al Jazeera last year!

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Of course boycotting the Kiasma museum is antisemitism

From Algemeiner:

More than 200 artists have signed a statement pledging to boycott Finland’s leading gallery of contemporary art because of its links with a Finnish-Israeli philanthropist, in a move denounced as “antisemitic” by the Bishop of Helsinki and other public figures.

In the statement, the signatories pledged to “refuse to sell our labor and art” to the Kiasma Museum of Contemporary Art in Helsinki as long as it maintained links with the Zabludowicz Art Trust, an initiative of Chaim “Poju” Zabludowicz, a London-based billionaire who holds dual Finnish and Israeli citizenship.

Responding to the statement on Thursday, Helsinki’s Lutheran Bishop charged the artists with having adopted an antisemitic stance.

“If an individual Jew is held responsible for the actions of the state of Israel, or if an individual Jew is prohibited from supporting Israel, or if Israel as a state is required to do something more than other democratic states, we are guilty of antisemitism,” Bishop Teemu Laajasalo told Finland’s Helsingin Sanomat news outlet.

In a separate tweet, Laajasalo commented that “antisemitism has many faces. A neo-Nazi or an Islamist is identifiable. It is more difficult to recognize the Jew-hatred of the Academy or [among] culture workers.”

What, exactly, are the boycotters accusing Zabludowicz of?

Artforum writes:

Citing Zabludoiwcz Art Trust cofounder Chaim (Poju) Zabludowicz’s position as CEO of the private investment organization Tamares Group—a company founded by his father that indirectly supports the Israeli state via its stake in Knafaim, a provider of maintenance services to the Israeli Air Force—BDZ accuses the art trust and its subsidiaries (including the Zabludowicz Collection, Zabludowicz Art Projects in London, and Daata Editions) of “artwashing” what it describes as Israeli state policies of racism and apartheid by using “art and cultural activities in the UK to enhance the image of Israel.” 

There is no doubt that Zabludowicz is a Zionist. But the boycotters need to exaggerate links between the museum and the IDF to justify boycotting the entire museum, so here is how they inflate it.

The Kiasma Museum of Contemporary Art has eleven board members. One is Zabludoiwcz.

He is the head of many institutions, including owning a hockey team. He has given millions to art initiatives as well as medical research. He is also head of the Tamares holding company, which mostly invests in real estate (it owns 40% of downtown Las Vegas.)

Tamares has equity stakes in at least 25 companies covering a wide range of interests, including entertainment and technology. One of them is Kanafaim, which is in turn another holding company that has four business units, including El Al Airlines and Maintenance Wings. The latter provides maintenance services for the Israel Air Force.

This is a minuscule part of his holdings and the relationship between the museum, Zabludowicz's art ventures and Maintenance Wings is nonexistent.

Boycotting the museum because of this tenuous link makes as much sense as boycotting every company that includes Vanguard Funds as one of its major investors because Vanguard also invests in defense contractors. 

Anyone can find an excuse to boycott any Jew they want if they look hard enough for a reason. And that is exactly what the boycotters here are doing - including every one of the 200 artists. 

Every major art gallery and museum can find a patron that also invests in companies that are involved with ventures that some will consider unethical - if one is willing to dig for them. 

But the interest in finding such links begins and ends with rich Jews. 

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Buy the EoZ book, PROTOCOLS: Exposing Modern Antisemitism  today at Amazon! Or order from your favorite bookseller, using ISBN 9798985708424.  Read all about it here!

 

Read More