Sunday, January 22, 2023
- Sunday, January 22, 2023
- Elder of Ziyon
- 9/11, blame Israel, book review, cartoons, Charles Enderlin, globalize the intifada, honor/shame, Islamism, Islamophobia, Jenin, lethal journalism, Muhammad al-Durrah, pallywood, Richard Landes
Wednesday, December 14, 2022
- Wednesday, December 14, 2022
- Elder of Ziyon
- 1968, 1998, Clinton, Fake News, lost in translation, Muhammad al-Durrah, PalArab lies, Palestinian Legislative Council, Palestinian propaganda, PLO, propaganda, Yasser Arafat
I know the way is often difficult and frustrating, but you have come to this point through a commitment to peace and negotiations. You reaffirmed that commitment today. I believe it is the only way to fulfill the aspirations of your people and I am profoundly grateful to have had the opportunity to work with Chairman Arafat for the cause of peace, to come here as a friend of peace and a friend of your future, and to witness you raising your hands, standing up tall -- standing up not only against what you believe is wrong, but for what you believe is right in the future....I thank you for your rejection -- fully, finally and forever -- of the passages in the Palestinian Charter calling for the destruction of Israel. For they were the ideological underpinnings of a struggle renounced at Oslo. By revoking them once and for all, you have sent, I say again, a powerful message not to the government, but to the people of Israel. You will touch people on the street there. You will reach their hearts there.
Buy the EoZ book, PROTOCOLS: Exposing Modern Antisemitism today at Amazon! Or order from your favorite bookseller, using ISBN 9798985708424. Read all about it here! |
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Friday, July 08, 2022
- Friday, July 08, 2022
- Elder of Ziyon
- Al Jazeera, Arutz-7, destroying evidence, hammer, Muhammad al-Durrah, Nahum Shahaf, propaganda, Shireen Abu Akleh
Expert says the Palestinians smashed the bullet that killed Shireen Abu Akleh before handing it over
Leading physicist and ballistic expert Nahum Shahaf, who refuted the story of 12-year-old Muhammad al-Durrah being shot by IDF soldiers in the opening days of the Second Intifada, discussed the US State Department's announcement that it was not possible to determine who killed Al Jazeera journalist Shireen Abu Aqleh as she was recording a firefight between IDF soldiers and terrorists in Jenin on May 11, 2022.Shahaf points out that "the bullet underwent a severe transformation at the hands of a hammer that created a deep depression in its back, which cannot be formed by the projectile's movement alone", noting that while the Americans ruled that it was impossible to determine who was behind Abu Aqleh's death, they ended up stating that it was likely the result of IDF fire - a fact pointing to the investigators' anti-Semitic bias.Regarding alterations made to the bullet prior to the PA allowing foreign experts to analyze it, Shahaf says he can detect streaks of crushing as well as an internal depression, which can only be produced by a hammer of enormous weight. The squeezing in question was performed on the back of the bullet and not its front, which smashes on impact.
Buy the EoZ book, PROTOCOLS: Exposing Modern Antisemitism today at Amazon! Or order from your favorite bookseller, using ISBN 9798985708424. Read all about it here! |
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Tuesday, March 08, 2022
- Tuesday, March 08, 2022
- Elder of Ziyon
- 2000, analysis, CAMERA, Charles Enderlin, Daled Amos, fatwa, incitement, kill jews, Muhammad al-Durrah, narrative, Palestinian propaganda, pallywood, Richard Landes, second intifada, self-censorship
By Daled Amos
Everyone knows about fake news.
Some people know it's all Trump's fault, others know that it's
all the media's fault.
And now countries are generating it, using bots on social media.
But for anyone who follows how the media reports about Israel, this is kind of old.
How old?
Daniel Rubenstein addresses this question in his first podcast, featuring Prof. Richard Landes.
Daniel Rubenstein
is a tour guide and lecturer, who served as an advisor to Naftali Bennett and
also as a social media expert to Netanyahu.
Richard Landes is a medieval
historian specializing in apocalyptic millennialism and he blogs about
lethal journalism (presenting one side's wartime propaganda as
news) at
Augean Stables.
Daniel Rubenstein and Prof. Richard Landes |
One of the topics Prof. Landes explains is tracing the peaking of media opposition to Israel back to Al Dura.
That incident, in brief:
On Sept. 30, 2000, France2 Television ran a story about Muhammad al Durah, a 12-year-old boy who, along with his father, was pinned down in a cross-fire between Israeli and Palestinian forces at Netzarim Junction in the Gaza Strip. “The target of fire from the Israeli position, the boy was killed and the father badly wounded,” veteran French journalist Charles Enderlin reported. Enderlin distributed the footage to all his colleagues for free, and this story ran around the world in hours.
Landes, who coined the word Pallywood to describe media manipulation designed to win the public relations war with Israel, has written about discrepancies in Enderlin's video footage:
The actual evidence, however, posed serious problems for the explosive narrative of deliberate child-murder. The footage, closely examined, contradicted every detail of the claim that Israel had killed the boy “in cold blood,” as a France 2 photographer put it, from the alleged “forty minutes of [Israeli] bullets like rain” (rather, there were only a few bullets one could identify in the brief footage, all from the Palestinian side), to the 20-minute-long death from a fatal stomach wound (no sign of blood on the ground), to the murdered ambulance driver (no evidence), to the dead boy (who moves quite deliberately in the final scene, which Enderlin cut for his broadcast).
But it was Enderlin's version of the story which spread everywhere, and not just in the Arab world. Bin Laden, for example, used Al Dura as a justification for his terrorist attack on the US. Landes notes that in the West, the Europeans and progressives saw this incident as a 'Get-Out-of-Holocaust-Guilt-Free Card'.
The tremendous influence of the Al Dura narrative cannot be underestimated. It appeared everywhere and dominated the media. One journalist, Catherine Nay, claimed on Europe 1 that
the death of Mohamed [Al Dura] cancels, erases, that of the Jewish child in the hands in the air, shot by an SS man in the Warsaw Ghetto.
Landes points out the enormity of such an idea:
Here you have a woman saying that a dubious picture of a boy most probably -- if killed -- killed in a crossfire, has erased and replaced an image of a boy who symbolizes the deliberate murder of over a million children.
That journalist was not alone in this view. Landes sees this substitution as being at the core of today's Holocaust inversion, the idea that Israel commits genocide against Palestinian Arabs, making Israelis into the new Nazis and Palestinian Arabs into the new Jews.
And the Al Dura effect persists. The original impact has dissipated over time, but the effects continue.
It's hard to get it more wrong than what happened then and we've been paying the price ever since. This is the first massive and still uncorrected wave of fake news -- not fake news coming from bots in Russia, fake news permeating the legacy mainstream media. Disaster. [emphasis added]
This was during the Second Intifada.
And media mendacity at the time
was evident.
Less than 2 weeks later, on October 12, two Israeli reservists took a wrong turn and ended up in Ramallah, where a mob of Palestinian reservists lynched them.
Viciously.
In his 2014 book, Israel Since the Six-Day War: Tears of Joy, Tears of Sorrow, Leslie Stein describes how the mob massacred the 2 men:
The mob did not prevent the story from getting out, but they did stop a
photographer from taking pictures.
Mark Seager wrote a personal account of what the mob did to the bodies
of the 2 Israeli reservists
-- and what they almost did to him:
They were just a few feet in front of me and I could see everything. Instinctively, I reached for my camera. I was composing the picture when I was punched in the face by a Palestinian. Another Palestinian pointed right at me shouting "no picture, no picture!", while another guy hit me in the face and said "give me your film!".
I tried to get the film out but they were all grabbing me and one guy just pulled the camera off me and smashed it to the floor. I knew I had lost the chance to take the photograph that would have made me famous and I had lost my favourite lens that I'd used all over the world, but I didn't care. I was scared for my life.
In a Wall Street Journal article in 2001, Alex Safian of CAMERA wrote about just how effective Palestinian intimidation was:
But it is not just British reporters who have joined Mr. Arafat's journalistic brigades. Riccardo Christiano, bureau chief of the Italian state network RAI, put it plainly in a letter to the Palestinian Authority in October. After two Israeli reservists were lynched by a Palestinian mob in Ramallah, most journalists at the scene had their film and cameras confiscated. But one crew from the private Italian network Mediaset got out with the videotape, which was then shown around the world. Mr. Christiano was determined to let the Palestinian Authority know that, contrary to rumors, his network was not involved. So he wrote this letter, which unhappily for him found its way into a Palestinian newspaper:
"My Dear Friends in Palestine: We congratulate you and think it is our duty to explain to you what happened on Oct. 12 in Ramallah. One of the private Italian television stations which competes with us . . . filmed the events . . . Afterwards Israeli television broadcast the pictures as taken from one of the Italian stations, and thus the public impression was created as if we took these pictures.
"We emphasize to all of you that the events did not happen this way, because we always respect the journalistic rules of the Palestinian Authority for work in Palestine . . . We thank you for your trust and you can be sure that this is not our way of acting, and we would never do such a thing.
"Please accept our dear blessings."
As Safian observes, "in plain terms, respecting these 'rules' means ignoring stories that would anger Mr. Arafat, and reporting on stories that would please him."
The Ramallah lynching was on October 12.
On the very next day, Dr. Ahmad Abu Halabiya, a member of the PA's Fatwa Council and a former acting Rector of the Islamic University in Gaza gave a Friday sermon at a mosque in Gaza. Among other things, Sheikh Halabiya stressed the importance of killing Jews:
"...None of the Jews refrain from committing any possible evil. If the Labor party commits the evil and the crime, the Likud party stands by it; and if the Likud party commits the evil and the crime, the Labor party stands by it.... The Jews are Jews, whether Labor or Likud... They do not have any moderates or any advocates of peace. They are all liars. They all want to distort truth, but we are in possesion of the truth...They are the terrorists. They are the ones who must be butchered and killed, as Allah the Almighty said: 'Fight them: Allah will torture them at your hands, and will humiliate them and will help you to overcome them, and will relieve the minds of the believers...." (emphasis added)
How did The New York Times report this?
William A. Orme Jr.
wrote an article,
A Parallel Mideast Battle: Is It News or Incitement? where he dealt with the Israeli claim of Palestinian incitement by
helpfully summarizing for his readers what Halabiya had actually said:
Israelis cite as one egregious example [of Palestinian incitement], a televised sermon that defended the killing of the two soldiers. ''Whether Likud or Labor, Jews are Jews,'' proclaimed Sheik Ahmad Abu Halabaya in a live broadcast from a Gaza City mosque the day after the killings. [emphasis added]
Incitement?
What incitement?
This partisan self-censorship continues today. As Landes comments:
To this day, readers of The New York Times, listeners of NPR, viewers of the BBC and CNN do not know what kind of unbelievably vicious nazi-like genocidal hatred is aired in the Palestinian public sphere, constantly.
And of course, social media has only made matters worse -- making it easier to spread propaganda without regard for the source (assuming it is even known), let alone viewing it critically. Social media enables the channeling of moral outrage that makes canceling of people as pariahs so effective.
Today we find ourselves in a situation where, as Prof. Landes notes, you cannot defend Zionism -- neither in journalism nor in academia. It has become a taboo subject --
In 2021, when you had the latest outbreak of violence between Israel and Gaza, you had hundreds of journalists insisting that the media adopt the Palestinian narrative -- adopt their language, adopt their "Israel occupation army" and stuff and you had academics, including Jewish academics in Jewish studies, coming out with statements in support of the Palestinians in which the role of Hamas and the role of terror is completely expunged from the record. And all sorts of claims are made about what Israel has done that are empirically inaccurate.
We are looking at an anti-intellectual movement that has taken over and literally a collapse of the information professions in terms of their ability to give the public accurate and relevant information.
And to a large degree, this all goes back to 2000, and Al Dura.
Thursday, October 01, 2020
- Thursday, October 01, 2020
- Ian
- Linkdump, Muhammad al-Durrah, Richard Landes
Richard Landes: A look back at the Muhammad al-Dura affair, 20 years later
Yesterday was the 20th anniversary of one of the most disastrous events in the year 2000, an event that cast a long shadow over the unhappy early decades of a troubled new millennium. On September 30, 2000, a Palestinian cameraman clumsily filmed what he claimed was footage of a boy who came under fire and was killed by Israelis. A French-Israeli journalist then edited the brief fragments, cutting the last contradictory scene, and broadcast the accompanying narrative on France2.Jpost Editorial: Trump is no antisemite. Drawing comparisons with Hitler is just crass
The image of Muhammad al-Dura via the narrative that the IDF had targeted him became the global symbol of Palestinian suffering at the hand of Israeli cruelty. It rapidly became an “icon of hatred” that had a greater immediate and long-term effect on the new century than any other such vehicle of incitement.
A cry arose, for some of pain, for some of rage, but for all a clear sign that the Infidel, led by the twin Satans Israel and USA, were making war on Muslims. Indeed, no single event so far has done more to arouse the spirit of jihad against the West than this footage, which, as Bin Laden quickly pointed out in his recruiting video for global jihad, demanded vengeance against al Yahud and their allies. Vengeance justified suicide attacks on civilians (two previously “forbidden” practices).
The sentiment so resonated, that even “conservative” al Azhar had to yield before the sanctification of their combination martyrdom operations. While itself not apocalyptic, the Muhammad al-Dura icon fed an apocalyptic jihadi narrative: to #GenerationCaliphate Israel was the Dajjal (Antichrist).
The West followed suit. Lethal journalists like Robert Fisk quickly affirmed the charge of deliberate murder. Where before such comparisons were considered ugly if not worse, now comparing Israel to the Nazis became common. A prominent French news anchor, speaking for many, declared that al-Dura “erased, replaced the image of the boy in the Warsaw Ghetto.” It was a new, post-modern “replacement narrative.”
Instead of Christians or Muslims replacing Israel as the true Chosen People, it was the former chosen people replacing the Nazis, and the poor Palestinian victim suffering the fate of the Jews. The progressive refrain, “Israel has lost the moral high ground.” Nobel Peace Prize winners, politicians, diplomats, award-winning playwrights and journalists, prominent academics, UN officials, Jews and non-Jews, all joined in the chorus, aligning with the jihadi apocalyptic narrative. Israel was the new Nazi secular Antichrist.
We do not believe – based on Trump’s very positive track record on Israel and steps his administration has taken to combat antisemitism in the US, as well as by the number of Jews in his immediate family and in his inner circle – that the US president is an antisemite.Left Fascism
Those opposed to Trump have enough ammunition to use against him, having to do both with his behavior and his policies, without having to stoop to saying that he is an antisemite or a neo-Nazi sympathizer, or drawing comparisons between him and Hitler.
Unfortunately, the Jewish Democratic Council of America released a political advertisement on Tuesday, even before the debate – that will run in swing states with large Jewish populations – drawing a direct comparison between Trump’s America and the rise of fascism in 1930s Germany, and hinting at comparisons between Trump and Hitler.
“History shows us what happens when leaders use hatred and nationalism to divide their people,” a narrator solemnly stated over pictures of German shops dabbed with the word “Jude,” and a US synagogue defaced with graffiti.
The ad juxtaposes film of Nazi parades in Germany with footage of neo-Nazis marching in Charlottesville. It places images of German masses giving the sieg heil salute on one side of the screen, with Trump speaking on the other.
“As antisemitism and white nationalism rise to dangerous levels in America, we are all less secure,” the narrator intoned. “It is time to show that we have learned from the darkest moments in history. Hate doesn’t stop itself: It must be stopped.”
The advertisement – likening Trump to Hitler and 1930s Germany to 2020 America – is over the top, out of line and a gross misappropriation of the absolutely darkest period of Jewish history for momentary political gain.
Disagree with Trump, even vehemently if you wish. Criticize his behavior and his policies. Jump all over him, deservedly so, for not being able to unreservedly condemn white supremacists in America. But don’t compare Trump to Hitler, or the situation facing America’s Jews to that which faced German Jewry in the 1930s. To do so is as much an over-exaggeration as it is wrong.
In the end, does the left-fascist shoe fit our current culture moment? Consider the list: programmatic silencing of dissenters, purging of editorial pages, growing fear of transgressing murky viewpoint prohibitions, while university leaders generally refuse (there are some exceptions) to offer a full-throated defense of academic freedom, but instead embrace the stereotypical language of the social justice movement in its opposition to “the system.” They sound more like Heidegger promoting the Nazi revolution in the universities in 1934 than Edward R. Murrow in 1954 pushing back against Joe McCarthy. A lot of that is just cowardice. Equally reminiscent of fascism is the de facto coordination between the crowds in the streets and the pronouncements from corporate boardrooms, as well as the monitoring of political opinion by powerful social media. This imposed conformism, this Gleichschaltung, is playing out against the backdrop of attacks on the rule of law and across-the-board denunciations of all law enforcement.
Yet in one respect, the diagnosis of “left fascism” does not go far enough. It misses a key element of the moment, alluded to in Trump’s Mount Rushmore speech: the obsessive effort to suppress history and erase memory. Not only Confederate statues have been toppled but anti-Confederate ones as well, and the Emancipation Memorial honoring Abraham Lincoln and paid for by freed slaves has come under attack. In San Francisco the Board of Supervisors voted to conceal a New Deal era mural that included a critical depiction of slavery. Any symbol of the past has become suspect, as we hurtle into a brave new world robbed of the orientation that historical self-awareness might provide. At root there is only a nihilistic refusal of any positive identification with the shared project to achieve a “land of the free.”
This constellation of riots, lawlessness and social amnesia recalls another moment in American oratory with another American president. When the young Abraham Lincoln spoke at the Lyceum in Springfield, Illinois, in 1838, he was responding to mob violence, attacks on African Americans and on abolitionists, when “bands of hundreds and thousands ... burn churches, ravage and rob provision stores, throw printing-presses into rivers, shoot editors and hang and burn obnoxious persons at pleasure and with impunity.” Lincoln saw this “mobocratic spirit” leading to a general alienation from the government, a loosening of the bonds of affection for the republic, as the direct memory of the struggle for independence waned. It was that loss of a historical awareness of the origins and rationale for the United States which, in Lincoln’s view, threatened political stability. The “scenes of the revolution” were disappearing into forgetfulness, as the “silent artillery of time” erased the national past with every passing generation. Lincoln’s alternative: “General intelligence, sound morality, and, in particular, a reverence for the constitution and the law.”
One-hundred-eighty years after the Lyceum Address, we find ourselves even further away from the founding. In today’s America, even Habermas’ notion of a “constitutional patriotism,” safely removed from the dangerous temptations of nationalism, is under assault, let alone any deeper love of country. National history has all but disappeared from our curricula, and when it is still taught, it is poisoned with adversarial revisionism, an education for ressentiment and guilt. The failings alone matter: We are always only at 1619 and never at 1865 or 1945 or 1989, a distorted perspective that leads to tearing down, never building up, and embarrassing public rituals of pledging disallegiance. Describing these events as “left fascism,” Trump names the constellation of verbal progressivism mixed with a moralistic vitriol to harass dissenters and indulge in irrational violence, but the worst of our crisis is the contemptuous ignorance of the accomplishments of the nation. It is time to reclaim the history.
Wednesday, November 14, 2007
- Wednesday, November 14, 2007
- Elder of Ziyon
- blood libel, Charles Enderlin, Muhammad al-Durrah, Palestinian propaganda, pallywood, Richard Landes
HonestReporting together with Take-A-Pen covered this afternoon's hearing in France where raw footage of the Mohammed Dura was publicly screened for the first time. HonestReporting/Take-A-Pen's Alain Benjamin, who saw the video in court, discussed by phone the proceedings with MediaBackspin editor Pesach Benson.For background, see Honest Reporting's summary.What did the raw footage show?
We can definitely say that nobody can say who was shooting at who. Charles Enderlin said in court that the Palestinians started shooting first, but in the end, there's no way we can say what happened that day. You can't tell who did what. The assertion from Charles Enderlin, that the Israeli army killed the boy, is totally wrong. The least he could've said was that the boy was killed--but we don't know by who.
There was a dispute over how much footage was to be screened. Was the full video shown?
Charles Enderlin submitted 18 minutes of footage. The judge, without any prompting from Philippe's lawyers, asked what happened to the 27 minutes. Enderlin said on record in court that he had to manipulate some footage that was not relevant to that day. He said he transferred the footage onto DVD for the court. That was amazing.
So she asked if anyone in attendance had seen the full footage. Luc Rosenzweig was there, stood up , and said he saw a tape that was more than 20 minutes long. Richard Landes also stood up. He saw the footage at Enderlin's office. He said the timer he saw was at least 21 minutes long. The judge basically let that issue rest, but there was serious doubt hanging over the room that the footage was tampered or doctored.
After the hearing ended, how did people react to what they saw?
Not one person believed that the version of France 2 was right. Some people maintained that the footage was staged. Others think the footage was real. Clearly, nobody believed that anybody died.
Does the footage vindicate Karsenty?
Everyone was going, "Wow" and talking about whether he'll take action against France 2 for trying to swindle the court. He can wait for the verdict, or sue France 2 for tampering with the tape. He has quite a few options. Clearly, the judge wasn't convinced by France 2's version. The judge's verdict is to be given on February 27.
For exhaustive analysis, see Augean Stables.