("When the first Japanese production of Fiddler was produced, the composers Harnick, Bock and Stein went to Japan. They were all very nervous. ‘How’s a New York interpretive Jewish musical is going to work in Japan? During production they are all anxiously biting their nails. At the end the Japanese producer comes over to them and says: I don’t understand, I don’t know how this piece can work so well in New York. It’s so Japanese!' ")
Monday, February 27, 2006
Monday, February 27, 2006
Elder of Ziyon
This is a funny video.
("When the first Japanese production of Fiddler was produced, the composers Harnick, Bock and Stein went to Japan. They were all very nervous. ‘How’s a New York interpretive Jewish musical is going to work in Japan? During production they are all anxiously biting their nails. At the end the Japanese producer comes over to them and says: I don’t understand, I don’t know how this piece can work so well in New York. It’s so Japanese!' ")
("When the first Japanese production of Fiddler was produced, the composers Harnick, Bock and Stein went to Japan. They were all very nervous. ‘How’s a New York interpretive Jewish musical is going to work in Japan? During production they are all anxiously biting their nails. At the end the Japanese producer comes over to them and says: I don’t understand, I don’t know how this piece can work so well in New York. It’s so Japanese!' ")
Elder of Ziyon





