Douglas Murray: The Cartoon Wars
Of course, this idea goes to one of the false presumptions of our time: that people on the political left are motivated by good intentions even when they do bad things, while people on the political right are motivated by bad intentions even when they do good things. So a cartoon promoted by Charlie Hebdo may be thought to be provocative in a constructive way, whereas one promoted by AFDI can only be thought if as being provocative in an unconstructive way. Whether people are willing to admit it or not, this is one of the main problems that underlies the reaction to the Texas attack.Michael Lumish: Say Hello to the Devil
Such a distinction is, needless to say, a colossal mistake. When people prefer to focus on the motives of the victims rather than on the motives of the attackers, they will ignore the single most important matter: that an art exhibition, or free speech, has been targeted. The rest is narcissism and slow-learning.
It does not matter if you are right wing or left wing. It does not matter if you are American, Danish, Dutch, Belgian or French, or whether you are from Texas or Copenhagen. These particularities may matter greatly and be endlessly interesting to people in the countries in question. But they matter not a jot to ISIS or their fellow-travellers. What these people are trying to do is to enforce Islamic blasphemy laws across the entire world.
That is all that matters. If we forget this or lose sight of it, not only will we lose free speech, we will lose, period.
If Pamela Geller is a racist I have yet to see the evidence. What I see is a much maligned woman standing up to the enemies of the Jewish people and to the enemies of the infidel west. What I also see are a whole bunch of moral cowards who defame this woman even as they turn a blind eye to the rise of political Islam throughout the Muslim Middle East.‘Draw Muhammad’ Winner on Growing Up in Islam and Defeating the Jihad
The rise of political Islam during the Obama administration may be the single most significant geo-political event in world history since the demise of the Soviet Union. The Muslim Middle East is moving from a period of secular-authoritarian nationalism, as exemplified by people such as Gamal Abdel Nasser, to a period of rising theocratic-authoritarianism in the name of Islam. This, it should be emphasized, is not an improvement. On the contrary. While Hosni Mubarack may have been a dictator he, at least, did not believe in some Allah-given right to slaughter Jews and he did not set himself up as an enemy of the United States and the west.
This is what the Muslim Brotherhood has done and it is precisely what Geller opposes.
Of course, it should be something that anyone who believes in secular democracy should oppose, but they don’t. Mainstream media throughout the United States and Europe largely pussy-foot around political Islam despite the fact that it represents everything that the secular west allegedly opposes. Devotees of political Islam (or “radical Islam” or “Islamism”) oppress women, hang Gay people from cranes, and promises the slaughter of the Jewish people and they do so in the name of Allah.
What’s not to like?
Ask Pamela Geller, she’ll have some words.
Breitbart News spoke with Bosch Fawstin, an accomplished artist, cartoonist, and anti-Jihad activist who won first prize at Sunday’s “Draw Muhammad” free speech event in Garland, Texas.
The event came under attack by AK47-weilding jihadists, who were neutralized by a police officer before they could commit mass murder against the free speech art display’s attendees.
Fawstin talked about his unique experience growing up in the Bronx as a Muslim, how his life changed after the 9/11 attacks, and he shared strategies to defeat the global jihadist movement. His artwork is featured throughout the interview.
Breitbart News: You won first prize at the Muhammad Cartoon Contest? What inspired your first-place artwork?
Bosch Fawstin: Quite simply, I wanted to do something different because I’ve been drawing Muhammad for a long time. Ever since the Danish cartoons, and after the Charlie Hebdo attack. Every time something horrific happens. If free speech was under assault, under siege, I drew Muhammad.
This drawing of Muhammad showed him threatening me. He says, angrily, ‘You Can’t Draw Me,” with a sword in his hand. I respond, ‘That’s Why I Draw You.’”
