Explain it to me
Explain to me how a woman who planted a bomb which killed two young men at the Supersol market in Jerusalem on February 21st 1969 is now an organizer of the upcoming Women’s Strike. The stated goal of this strike is “to increase equality, justice, and human rights for women around the world.” I unequivocally commend this goal.Media Misfeasance Exposed in "Eyeless in Gaza" Documentary
But, explain how my family is supposed to reconcile the reality that the woman who stripped my uncle of his life is now deemed a hero by many of my fellow Americans. What justification is there for Rasmea Odeh, a woman who killed two people (with the intention of killing more!) to lead a peaceful fight for human rights? In the documentary, “Women in Struggle”, Odeh and her accomplice, Ayesha, talk in detail about their gruesome acts. Ayesha names Odeh as the ringleader. Explain to me how explosives found at Odeh’s home matching those used in the bombings sits with your conscience.
What is the difference between the acts of Omar Mateen, Tamerlan and Dzhokhar Tsarnaev, Dylan Roof, and Rasmea Odeh? There is no difference. They all carried out acts of terror in the name of their causes, which resulted in the death of innocent civilians. Whether they were targeting the LGBT community, Americans, African Americans, or Jewish Israelis, these were all terrorist acts.
Explain to me how Odeh, who was a member of the Popular Front for the Liberation of Palestine (PFLP), a US designated terrorist group, was chosen to represent American feminists who seek to peacefully stand up for women’s rights. The Women’s Strike lists as its Principle #1 that “Nonviolence is a way of life for courageous people. It is a positive force confronting the forces of injustice and utilizes the righteous indignation and spiritual, emotional, and intellectual capabilities of people as the vital force for change and reconciliation.” Rasmea Odeh signed her name to this movement. And she did so with blood on her hands.
Hamas operatives burst into the Associated Press (AP) Gaza bureau during the 2014 war with Israel, angered by a picture shot by an AP photographer. Gunmen threatened the AP staff, which never reported the incident.‘The Settlers’: An effective work of left-wing propaganda
The incident shows that Hamas can control what journalists report, and what they don't, former AP Middle East reporter Matti Friedman says in a new documentary, "Eyeless in Gaza."
Producer Robert Magid's 50-minute film, which is screening via pay-per-view online, examines the flaws and challenges in reporting on the 50-day war.
Magid said he wanted to "set the record straight and provide context," after being appalled at news coverage that ignored Hamas' practice of launching rockets from civilian areas. That omission allowed the media to push a false narrative that "Israel was callous in their bombing."
The sullied moral image of Israel that emerged from the media's biased coverage sparked public outrage and anti-Semitism. "Muslims will crush the Jews as they did in Khyber 14 centuries ago," protestors in the film shout. Another says: "I see the Jews in Israel as total Nazis."
I would not say it if it were not true. As I emerged from the press screening of Shimon Dotan’s “The Settlers” I met the eyes of a widely read Jewish-American film critic. With a smile he sighed, “Well, at long last it’s happened — I’ve become an anti-Semite.”Tommy Robinson: The Oscars lied about Islam
He was kidding, of course, but even those of us who watch movies professionally still fall under their spell. (Perhaps more so, and that’s why we choose this trade.)
Dotan’s documentary, which opens in New York this Friday, is a commendable and effective work of propaganda. It gives you just enough of the “other side” to make it seem fair and balanced.
Of course, it isn’t — it has an agenda. Any documentary that employs edits and doesn’t stash its cameras behind potted plants does. This makes “The Settlers” frustrating because so much of it is so very good and, as the most thorough film about this ongoing crisis from which there seems no easy escape, it is likely to become something of an authoritative text.
Dotan digs deep, starting with new interviews of Jews in West Bank settlements, then jumping back to historical news footage. We get another look at the 1948 partition plan and the 1967 Six-Day War. Some credit is due for leaving in what so many leave out: that the preemptive 1967 strike was necessary in the face of Nasser’s military build-up, an obvious point that is more and more forgotten as history turns to misremembered mist.
