A Jew Among Jews By Abe Greenwald
Via Commentary Newsletter, sign up here.‘Fauda’ producers issue content warning regarding Oct. 7-based episodes
During Passover, the Free Press published a beautiful piece by Olivia Reingold titled “I Am an October 8 Jew.” In it, she describes how, after October 7, she began to reclaim the Jewish heritage she had all but abandoned as a child. Eventually, Reingold would find herself moved to tears during a recent Shabbat service, “a day that used to mean nothing to me, except more time to scroll online or work.”
I can’t say that I’m an October 8 Jew, as I was devoted to the cause well before then. But something about my Judaism has also changed since October 7.
I’ve long been a passionate Zionist, and I’ve felt that I owe everything to God. While I am a devoted believer, however, I’m a very negligent observer. Having come fully to embrace my Judaism only in adulthood, I’ve done slightly more than the bare minimum to maintain a personal sense of Jewish tradition.
Beginning a few decades ago, I went about kosher eating in my own way (and I’ve got my biblical justifications for it). I wrap tefillin in phases, the way others might go to the gym, slack off, and then resume. I pore over the Hebrew Bible regularly but in no regimented fashion. I tread lightly and humbly into the Talmud.
All of which is to say, I have cobbled together my own version of observance and continue to fine-tune it. Many Jews do the same.
Judaism, as I came to it, was about my relationship with my God, my place in history, and my inheritance. A lot of “my” was involved in this, but somehow “my people” barely came up.
October 7 changed me in this important respect. Before that day, I had never felt much of an ongoing obligation to my fellow Jews around the world. Of course, whenever I heard news of threatened or assaulted Jews, the bonds of history and faith would take hold. But they would once again recede. I didn’t think a great deal about how my actions or words affected the Jews of Australia, Asia, Europe, and elsewhere.
It hadn’t occurred to me that we were all, as Jews, in the same position. Because, at the time, we really weren’t. I was born well into the age of Jewish emancipation, and up until October 7, 2023, the overwhelming majority of the world’s Jews were counted foremost as individual citizens of their countries of residence. Their circumstances varied.
he producers of the action TV series “Fauda” warned viewers on Sunday that they may want to skip the upcoming episodes based on events during the Hamas-led massacre in Israel’s northwestern Negev on Oct. 7, 2023.Radiohead’s Jonny Greenwood compares boycott-led show cancellations to “taking books off shelves”
“Episodes 7 and 8 [of Season 5], which will air tomorrow [now today] ... include content, sights, and sounds that may be difficult to watch. It’s important for us to say: These episodes return to that terrible day and stand on their own. If watching is too difficult, it’s OK to give up and connect with the season’s plot, which will continue in the episode that will air next week,” Israeli satellite television network Yes said in a statement on social media. The renowned show, which debuted in Israel in 2015, has aired in 190 countries.
The newest season of the series was filmed primarily in Israel and Budapest, Hungary, after plans to shoot its European segments in Marseilles, France, were changed due to security concerns.
It was rewritten to address the aftermath of the Oct. 7 attacks. The 11-episode Season 5 runs weekly on Yes in Israel and is distributed internationally on Netflix as well.
Israeli actor Idan Amedi, who played undercover agent Sagi Tzur in earlier seasons of the series, does not appear in the latest season due to the serious injury he sustained while fighting against Hamas terrorists in the Gaza Strip.
Radiohead’s Jonny Greenwood has likened his gigs with an Israeli artist being cancelled due to boycotts to “taking books off shelves”.
In May 2024 and again in March 2025, Greenwood played in Tel Aviv with Israeli musician Dudu Tassa, incurring criticism from the Boycott, Divestment and Sanctions (BDS) movement. A pair of UK performances by the duo, scheduled for June 2025 in Bristol and London, were later cancelled following pressure from pro-Palestinian campaigners.
The Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI) said those cancellations followed “peaceful BDS pressure”, citing what it called the artists’ “clear and irrefutable links to whitewashing Israel’s genocide in Gaza that has killed at least 62,000 Palestinians”. Its post also said: “Dudu Tassa has repeatedly entertained genocidal Israeli forces in between these massacres of Palestinians in Gaza, willingly acting as a cultural ambassador for apartheid Israel.”
Greenwood has now given an interview to El País, in which he was asked to compare his stance on playing in Israel to the cultural boycott of apartheid South Africa in the 1980s.
“I’m a fan of lots of Israeli films and writers and musicians, and the music I make with Dudu is resurrecting songs that are older than most of the countries that are currently fighting each other,” Greenwood responded.
“That’s always going to be more important to me,” he added. “There are bookshops in Madrid that are openly selling Amos Oz’s novels and he’s Israeli. To me, cancelling music is the same as taking books off shelves.”
Greenwood responded in a statement at the time of the cancellations, saying: “The venues and their blameless staff have received enough credible threats to conclude that it’s not safe to proceed.”
“Forcing musicians not to perform and denying people who want to hear them an opportunity to do so is self-evidently a method of censorship and silencing,” he continued. “Intimidating venues into pulling our shows won’t help achieve the peace and justice everyone in the Middle East deserves. This cancellation will be hailed as a victory by the campaigners behind it, but we see nothing to celebrate and don’t find that anything positive has been achieved.”




















