Brendan O'Neill: Ed Sheeran, Macklemore and the tyranny of the Israel-haters
So that's it: you're not even allowed two hours off from Israel-hate. You can't even go to an Ed Sheeran concert without being lectured about what a barbarous state Israel is. It's not enough that our streets have fallen to zombie armies of Gazaholics and that our social-media feeds froth with anti-Israel invective. Now even Ed Sheeran must come with a side order of Jew State bashing.Good Riddance to Macklemore
People are alarmed that American rapper Macklemore has been ditched as the opening act on Sheeran's U.S. tour, after he barked "Free Palestine" and wanged on about Israel's "genocide" to 90,000 Sheeran fans at the MetLife Stadium in New Jersey. Is nowhere safe from the marauding moralism of our insufferable cultural elites?
Then Sheeran's other support acts walked out in solidarity with Macklemore. His backing band walked, too. It will just be Sheeran and his guitar at this rate, which, to be fair, he's done before. If the whole tour falls apart, it would be a fitting if grim tribute to the joy-sucking dogmatism of Israelophobia. Music burnt at the altar of ideology. How very Hamas.
Isn't there something creepy, even a little authoritarian, about turning a middle-of-the-road pop gig into a neo-Nuremberg rally against the Jewish State? Israelophobes have a Tourette's-like urge to blab their puffed-up virtue to every poor soul they meet. I'd be fuming if I got dressed up for a night of harmless pop, only to find myself being harangued by a nerd about the murderous lunacy of the Jewish nation.
Palestinianism has become a neo-religion, seeking to conquer every nook and cranny of public life. If you don't go along, you'll be branded a genocide denier, even as "complicit" in the crime of the century. Like all cults, the Gaza cult splits us into the enlightened and the damned. Sheeran is being damned all over X as a genocide apologist. And all because he failed to meekly, compliantly bow down to the truthless commandments of the Gaza cult.
The rapper Macklemore has now been booted as Ed Sheeran's opening act. At New Jersey's MetLife Stadium, Macklemore devoted most of his set to prattling about Gaza, ululating about Palestine, and praising the terrorist sympathizers on American college campuses. It's tempting to laugh off the whole kerfuffle as yet another case of a very minor artist suffering from very major delusions of self-importance. But l'affaire Macklemore teaches us important lessons.Nicole Lampert: The Mackle-morons are not supporting justice, but hatred
Macklemore has spent the last several years repeatedly and shrilly calling on artists to boycott Israel. He even wrote a song dedicated to championing the BDS movement, which promotes sanctions against the Jewish state. Now that he's received a taste of his own medicine, he's crying foul and claiming to be a victim. He's anything but. If the culture you help create calls for canceling those whose opinions you don't like, don't be surprised if you too are canceled one day.
Once upon a time, the performers we hailed were the ones who could actually do something: sing, dance, act and move us with their art. Like other preening pro-Palestine provocateurs, Macklemore's true art is stirring up cheap controversy by trying to cower others into submission.
It's a very good strategy for mediocre entertainers, who can get famous quick by pretending to be great moral crusaders and plugging into hot-button political issues they barely understand. But it's terrible for everyone else because it hijacks truth and beauty and turns every aspect of life into an ugly, muddy political battlefield.
Their historical illiteracy and ignorance were summed up by Irish singer Aaron Rowe, who said: “As Irish people we know all too well about genocide, forced famine and violent occupation. I cannot stand by and allow billionaires to use their position of power to silence the rightful voices of those who speak up against Israeli genocide and who highlight the savage murder of children.”
It is worth mentioning that not a single cry of Free Palestine has ever helped the Palestinians. In fact, by perpetuating what Palestinian intellectual Ahmed Fouad Alkhatib calls the “resistance narrative” – the idea that if the Palestinians keep trying to kill Israelis, they will somehow get their state – it has only made life more difficult for them.
And their demand for freedom of speech is highly selective. None of these musicians, as far as I know, spoke up when British band Oi Va Voi was cancelled from UK venues because their singer is Israeli, when Radiohead star Jonny Greenwood had to cancel gigs because of security threats to his Israeli partner, when Boy George was forced out of a musical for singing “I stand with the Jews”, or when Róisín Murphy dared to speak up against the medicalisation of trans kids.
They pose as free speech martyrs, but like Irish band Kneecap and English rappers Bob Vylan, who found fame thanks to their anti-Zionism, Macklemore may find the pro-Palestine grift is lucrative. He has already gained more than one million followers on Instagram since the fuss started.
Kneecap’s manager Daniel Lambert, meanwhile, exposed the obsessive hatred that gives the Free Palestine movement rocket fuel, in a statement oozing with the kind of tropes that a neo-Nazi would be proud of: “As Jewish billionaires who control America and fund the IDF decide who can and who can’t perform despite breaking no laws…The IDF is still murdering kids.”
This is also the thing about being Jewish when someone begins a “Free Palestine” chant. Either you suck it up, or perhaps silently leave, knowing they will do the same to others tomorrow. Or you try and stop it and get accused of having too much control, of too much power. Heads you lose, tails they win.



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