According to the articles, Payitaht: Abdülhamid depicts a huge Jewish conspiracy against the Ottoman Empire spearheaded by Theodor Herzl.
An old weapons storehouse, more like a cave from the sixteenth and seventeenth centuries, on the outskirts of Istanbul, the capital of the Caliphate, is infiltrated by four figures, three of whom are Jewish: the most prominent Zionist thinker and the founder of the Zionist state in the Islamic lands (Palestine) and from there to the greater Jewish state from the Nile to the Euphrates, Theodor Herzl, along with his friend Emmanuel Carasso, and Marco, the mastermind behind the collapse of the Caliphate, Barros, one of the most important and greatest Zionist figures. The fourth figure was the Ottoman Mahmud Pasha, who allied with the Zionists to destroy the Caliphate of Abdul Hamid, his wife’s brother, and seize the Sultanate.The four enter, each carrying a lighting torch. The four torches come together to draw the “Star of David,” the emblem of the Zionist state on its flag. On the floor of the old warehouse, a map is drawn showing the locations of oil in the regions of the Islamic nation. If the ground is lit, the map appears. From behind the caves and tunnels of the warehouse, comes the voice of Barros, who specifies for the three Zionists and the Ottoman traitor Mahmoud Pasha the four pillars of the Caliphate and how to destroy them.
The "Barros" character is the uber-Jew, a combination of every antisemitic trope:
The Jewish character whose voice was the driving force of the previous scene is Barros, the hidden master whom only a few people see, even Herzl and Carrasso do not know what he looks like. He is the owner of the deed granting Zionism to the Jews, the mastermind of the movement and its main financier, controlling the world’s banks and their money, and consequently its companies, factories and arms trade.Barros can move armies and stop them, he arms countries and strips them of their power, all the banks in the world are under his command, he tried through his followers to get rid of Abdul Hamid by killing him but he could not, and he is the one who determines the role of each person in the world, (I do not know, perhaps he represents the world administration or the Jews who control the world’s money.)
In the Akif series, Jewish domination is achieved in a different way:
The Akif series revealed how Jews and Zionists infiltrated cultural and youth circles through the poet Tawfik Fikret and his son, who was recruited by the Zionist movement during his study trip, and Zionist characters appeared working to recruit young Turks through newspapers and schools.The influence of the Jewish Zionist movement on the youth of the Caliphate appeared in the two works through the temptation of these youth with the manifestations of Western civilization and culture, and the freedoms enjoyed by the West. It reached the point of changing their beliefs, so these youth began to call Caliph Abdul Hamid the Red or Bloody Sultan, as he was called in the European newspapers.This was evident in the figures within the palace represented by Prince Abdelkader, the eldest son of the Sultan, and Prince Sabah al-Din, his nephew and son-in-law, Mahmoud Pasha. This young man was initially influenced by the slogans of freedom and democracy until he reached the point of clearly conspiring against his father with Herzl in all his attempts to seize Palestine as the beginning of his dream.
But the infiltration mentioned in the earlier series was more nefarious:
The most dangerous thing that the series, Payitaht: Abdülhamid, indicated was the infiltration of Muslims by Jews living in the capital as Muslims, among them one of the imams of the largest mosques in Istanbul, gold and jewelry merchants, army officers, and maids in the palaces of the Caliphate.These people lived as Muslims until they reached the foundations of the state. They were originally Jews working to overthrow the Caliphate, the only obstacle to the establishment of the State of Israel. You think they are Muslims, but they become imams, teachers, and journalists, teaching the youth in mosques and schools and on the pages of newspapers and magazines.
This is mainstream thinking in Erdogan's Turkey, which wants to re-establish a Turkish-based pan-Muslim caliphate.
Qatar's Al Jazeera now thinks it makes sense to spread the antisemitic conspiracy theories throughout the Arabic-speaking world.
You can see a portion of how the first series depicted the First Zionist Congress here.
Most Westerners don't realize how lucrative antisemitism is in marketing to the Muslim world.
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