Seth Mandel: Purging Jews From the Arts
You are to be unpersoned, that is, if you write about Israel without denouncing the Jewish state—a rule that is intended to disqualify Jewish writers of any and every nationality—or if you are Israeli and have not renounced your country and your people, like any Good Jew apparently would. Israelis are currently under fire from seven fronts in a war that began with an explicitly genocidal invasion by Iranian proxies, and if you do not do something to help the cause of exterminating your own people, you are heretofore banished from the arts.Howard Jacobson: Political boycotting of the arts paints a picture of tyranny
I’m not sure it’s possible to top the reaction from the poet Gillian Lazarus, who said:
“The likes of Sally Rooney would boycott the likes of Amos Oz, David Grossman and Yehuda Amichai. It’s as if a composer of advertising jingles boycotted Mozart.”
Look, if Sally Rooney could write like Howard Jacobson she would probably not be trying to purge her competition.
But she can’t, and so we all must suffer.
As I said, what’s interesting about Rooney is seeing who else joins her fatwas—especially if they don’t have to. Arundhati Roy is on the list calling for a loyalty oath for Jews in the arts, sadly. Jonathan Lethem, too. Other fellow listers: Jasbir Puar, an academic who invented a blood libel about Jewish organ harvesting; Naomi Klein, professor of “climate justice”; Mohammed El-Kurd, who accused the Jewish state of having an “unquenchable thirst for Palestinian blood”; and other such literary luminaries.
The loyalty oath has made something of a comeback among Western institutions, especially in the academic world, where Jews are occasionally permitted to participate in campus activities as long as they publicly call for the ethnic cleansing of their fellow Jews from whichever part of the world is currently trying to expel them.
Then there is the other angle to the purge: In addition to being irredeemably immoral, it’s also very stupid. Fania Oz-Salzberger, daughter of the late Israeli writer Amos Oz, responded on social media: “My late father, Amos Oz, would have been sad, disgusted, but proud to be banned by these 1000 writers and literati. And ban him they would. Not because he didn’t care for the Palestinians, of course he did, but because he’d be the first to tell these virtue signallers that they are historically and politically ignorant.”
I would go further and point out that Amos Oz, simply by being both an Israeli cultural giant and an advocate for Palestinian self-determination, did more for peace every moment he was alive than Rooney and Kushner will do in a lifetime—not least because a cultural boycott of influential left-leaning figures can only sabotage the Palestinians who want statehood and isolate them from likeminded Israelis.
But that point is only relevant if you believe Sally Rooney and Rachel Kushner and the other inquisitors are interested in helping Palestinians. If they only care about harming Jews, then this purge makes perfect sense.
Thus, to be a boycotter you must believe there is a hierarchy of compassion and condemnation. Only those whose anguish is as vociferous as theirs are allowed a voice. What makes this inquisition so grotesque is that the inquisitors are themselves artists or art-enablers.BHL Boycott Backfires
Art matters. The pleasure we take from looking long at a painting or grappling with a complex novel or symphony is not some idle luxury. It transforms, invigorates and inspires. It redeems that belief in our shared humanity, which it is so easy, especially in angry and divisive times like these, to lose. And it does that not by confirming what we already think and feel, but by daring us to risk everything we hold dear on the turn of a single page. Creativity, in whatever sphere, is the means not of finding but of losing ourselves.
Everything must be permitted for artists but the silencing of their fellows. To boycott authors, agents or publishers on the grounds that they hold views objectionable to you is to violate art and the part it has played in stirring and individuating the imaginations of men and women since the first cave drawing appeared.
Art is not to be confused with a post on social media. It is not a statement. It is not susceptible to thumbs-down disagreement for the reason that it doesn’t invite thumbs-up consensus. It is not an echo chamber. It is a meeting place, not only of people who read and look and listen differently to one another, but of the hostile and the loving, of the real and the imagined, of colours that are not meant to go together, of words that clash and contradict.
Those who cannot bear such vitality of contradiction congregrate with the like-minded in a safe space they call a boycott, but for which the real word is tyranny.
Fortunately, in the case of Mr. Lévy’s Israel Alone, this cynical pandering to antisemites, ideologues, and to those who worship at the altar of the bottom line backfired. Education may enlighten the prejudiced, which is why Mr. Lévy’s book is so urgently needed, but there are few antidotes for stupidity, except the free market, which is working brilliantly in this instance. Interest in the book is quite robust and will undoubtedly have a positive effect on sales. So, we owe thanks to Shelf Awareness for the unintended consequences of its malfeasance.Bubble-Wrapping Coates
We are pleased to add that our organization, in partnership with B’nai B’rith International, has raised funds from generous private donors to purchase and distribute for free thousands of copies of the book to college students around the country. Mr. Lévy will also be speaking in November at select American and Canadian universities. As he explained, “curbing this hate begins by going to the source.” It is abundantly clear that far too many universities and far too many journalists have failed to provide what Americans need to understand about Israel and the Middle East.
Censors can cause a lot of short-term damage, but history tells us that they ultimately lose and their disgrace follows. This comes from the first-century Roman author Tacitus: “When what has been created is persecuted, its authority grows. Neither foreign despots nor others who employ such savagery beget anything except infamy for themselves and glory for those they persecute.”
The ironic good news is that despite the efforts of Shelf Awareness, many more people are now aware of Israel Alone. They can make up their own minds about its message.
CBS News is in turmoil following an appearance by Ta-Nehisi Coates that actually included probing questions about his new book on Israel. All it took was one interview during which Coates received some pushback for the legacy media to lose its mind and denounce the CBS anchor, and for the network to quickly rebuke him. Top CBS newsroom brass—i.e., woke PR types with zero actual newsroom experience who now run the network—apparently believed Coates should be coated in bubble wrap and only given friendly questions, preferably fed to him in advance.
But babying American intellectuals is not the American way. Feuds and sharp elbows have been a long-standing part of the American intellectual tradition—and signal the public’s appreciation for robust debate.
One of the greatest feuds in American intellectual history was between Mary McCarthy and Lillian Hellman. Hellman was an apologist for communism, something for which McCarthy had no patience. In 1980, McCarthy went on the Dick Cavett show and famously said of Hellman that “everything [Hellman] writes is a lie, including ‘and’ and ‘the.’” Hellman responded with a $2.25 million libel suit, which was never resolved before her death in 1984.
Cavett’s various shows, which ran on multiple networks from the mid-1960s to the 1990s, often served as a showcase for great American intellectual brawls. After Gore Vidal lumped together Charles Manson, Henry Miller, and Norman Mailer for their poor treatment of women, Mailer was understandably incensed. Shortly afterward, Mailer appeared with Vidal on an episode of Cavett’s show. Things were headed south while the two men were in the green room, where Mailer headbutted Vidal. They didn’t get much better on camera, with the two men trading barbs and Mailer at one point approaching Vidal menacingly. Cavett thought Mailer was going to take a swing at Vidal, but he didn’t, and just angrily pulled the papers Vidal was holding from his hand.
Mailer was still mad six years later when he saw Vidal at a cocktail party at Lally Weymouth’s New York apartment. In front of an impressive crew of literati, Mailer threw a drink in Vidal’s face and followed up with a punch. As Vidal wiped the blood from his face, he responded with a retort that landed harder than Mailer’s blow: “Norman, once again words have failed you.”
Vidal also feuded with the author Truman Capote. They didn’t trade physical blows, but instead took swipes at each other in the press. Vidal sniffed that Capote’s prose was like Carson McCullers, combined with “a bit of Eudora Welty.” Capote countered that Vidal got his literary influence from the New York Daily News.
Vidal was threatened with physical violence in perhaps his most famous feud, with National Review founder William F. Buckley. The two men appeared on ABC News during the 1968 Democratic convention in Chicago. Vidal had prepared extensively for the debates and got under Buckley’s skin by calling him a “crypto-Nazi.” An angry Buckley responded, “Now listen, you queer. Stop calling me a crypto-Nazi, or I’ll sock you in the goddamn face and you’ll stay plastered.” For the rest of his life, Buckley regretted that loss of composure.
